It Begins Again and Again and Again

 I am still writing things. I'm always writing things. Right now I'm actually editing things, which is mostly the same but also incredibly specifically different.

The main thing I wanted to update anybody/everybody on was that when I start publishing these things I'm sometimes writing and sometimes editing, when I'm not snacking and making music and existing in a state of panic over...everything...it's going to be under new pen names.

I recently published and then unpublished a new edition of Faces in Weeds.

That's because I actually had to redesign the cover, add a subtitle to the story, and write two new pieces of bonus fiction so it could be 'transformative' enough that when I publish it under Amazon under my new pen name, it won't get de-listed or get my account banned for rank manipulation. It has to be demonstrably different from previous versions enough to count as a different product, so that's what I'm doing.

Ultimately this is also what I have to do with all my previous works: new covers, titles/subtitles, editing/expanded content, and new bonus content and exclusive extra chapters, that sort of thing. It's the only way to ensure I can actually publish them.

This basically has to happen because Amazon won't let me reclaim my old KDP account, which I can no longer access, or merge it with my new KDP account.

Since most book business is done on Amazon and I need money to live that's where I have to publish, and to do that, I have to make sure not to violate their rules, and using the same pen name on two different accounts is also a bannable offense according to their terms. It would help if their customer service was at all helpful or even sufficiently trained to understand how KDP and its features/systems/rules even work, but they aren't, which seems insanely unprofessional, but it is what it is. They can't help, apparently. Beyond them.

So we come to me having to launch new pen names to republish all Apollo Blake and Cosmo Knox titles.

I was kind of ready to retire the Apollo Blake pen name anyway, so that's fine, but Cosmo Knox was a fantastic pen name I never wanted to let go of, and now I do, and that sucks. Anyway things are in the works, projects are coming along, just slowly as I try to balance and actually enjoy life and not burn out.

The new Tomb Raider games look incredible, the Stranger Things finale was okay, and the new Cassandra Clare collection Better in Black is a lot of fun so far, making me nostalgic as hell.

I also recently read Sunrise on The Reaping and was emotionally devastated. Now I'm rereading Catching Fire. I was actually already reading it, but put it down when they rewatched Haymitch's games so I could go read his book. Pretty cool way to do it, I think.

I also put out a new album called The Chaos Precise, I'm gonna post more about it soon but I haven't done YouTube and SoundCloud uploads yet so.

On Self-Publishing. . .

Look, being a self-publisher is not easy. There are resources that aren't available to you and no marketing department with skilled agents to get your book into people's hands - people assume your book is going to be awful without glancing at it and other people assume you self-publish because you weren't good enough at writing to snag an agent and publisher, even though that's probably not an option/route you even considered or tried.

Indie authors are our own agents and handlers, we're often our own cover designers and site builders and we have to pull twice the weight our traditional counterparts do.

But it's worth it. It's worth it because when you do make a profit, you get to keep more of said profit. It's worth it because you don't have a publisher forcing you to remove queer characters and romance from your book, because you don't have the chance of getting stuck with a cover you don't personally like or have to jeopardize your artistic integrity to please an in-house marketing agent.

I would never say don't go for traditional publishing - I plan to be a hybrid author someday, I understand the draw and benefits of that position - but don't eschew the indie route as a non-valid option. I didn't consider trying to traditionally publish when I started putting out books, this is not my backup route or my only option - it's what I wanted and what I went for because it worked best for me, and if you dismiss the fact that there are midlist and upper level authors turning down 6 and 9 figure deals to go it their own, then you haven't been listening.

40% of book sales today are ebooks, there are dozens upon dozens upon dozens of beloved writers with devoted fanbases self-publishing, there are amazing resources and a close-knit, intelligent community. Beth Revis wrote the Across the Universe trilogy and then chose to self-pub The Body Electric, and it was arguably her best work yet. (IMO - I highly recommend reading them all though.) Look at what Joe Konrath is doing, and what Amanda Hocking achieved. Look at Nenia Campbell who have close-knit fanbases and erotica authors like Selena Kitt who have basically built an empire. And then tell me this isn't a valid option.

Stop chasing dreams that revolve around gatekeepers and massive slush piles and rejection after rejection because you're letting valuable, good books go to waste because one agent didn't like it or one house didn't think it was a great fit for their imprint and take matters into your own hands.